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https://w.atwiki.jp/touhoukashi/pages/4715.html
【登録タグ EastNewSound Scattered Destiny そ 前菜 曲 紅楼 ～ Eastern Dream...】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/vtsr/pages/225.html
初音ミク オリジナル曲 『an advance』 Remaster 2 高音質版 http //www.nicovideo.jp/watch/sm1247172 http //www.nicovideo.jp/watch/sm1247172 Vocaloid2のオリジナル曲 使用Vocaloidは初音ミク 製作者はヴァァム氏 一つ前のページにもどる
https://w.atwiki.jp/vocalive/pages/201.html
LIVEと行事一覧DB データベース (DataBase for Vocaloid Live Concerts and Events)-ライブ技術一覧 メニューMENU +←クリック目次 [←Click here for CONTENTS] ↓↓↓現在のページ名（Current Page Name）↓ 自動作成目次(contents) 行事紹介（Vocaloid Live Concert and Event Information） 【TECH/3D Printer】 3D Printer for making custom made figure Hatsune Miku 3D Modeling Contest for 3D Printer DELMO Blog Memo・メモ帳 EDIT Page ライブ技術一覧 ((TECHNOLOGY of Vocaloid Live Concert and Event) 1各自で研究開発中の投影ボードとスクリーンの一部 2手作りライブ等の為の技術情報 Technology for the Vocaloid Handmade Live Concert 3将来応用可能なライブ関連技術及び研究 Research and Development for Future Mascot and Vocaloid Development マスコットキャラ及びボーカロイドの作成と育成 ギミック Gimmick of Live Concert コンテスト Contest スクリーンに投影可能なテスト素材動画 Videos for Testing メンバー募集案内 Member Request ライブ録画技術 Video Recording Technique 動画作成のコツとMMD [Tips for Making Video & MMD]+MEMO 参考文献 References 各自で研究開発中のKinectと遠隔操作等の一部 Remote Control & Kinect 各自で研究開発中の同期システム Synchronization System 技術関係のMEMO 技術関係のMEMO2 perm 過去のライブの反省会等の一部 過去のライブの反省会等の一部 MEMO 配信と動画up技術 Streaming and Uploading Tech of Video ls(TECH) 3D Printer English/Test Video to Put on Screen 投影テスト用映像 English/Translation tool 翻訳ツール Oversea/AniMiku Vocaloid Live Concerts & Software Development USA Oversea/HATSUNE MIKU Live Concerts of Miku-UK Project 39UK Oversea/Project MMD Live+39diyMMDConcert USA 日本/Hatsune Miku Hako Vision (Box Vision) Production 日本/Vocaloid Live at Ijirako ミクオン 伊自良ステージ Japan 日本/[TwiPla] 第3回 初音ミクコンサートライブin熊本市立図書館[TwiPla] Live in Kumamoto 日本/ボカパ Vocapa (Vocaloid Live Party) Japan 日本語/会場設備-EVENT Hall info 行事紹介（Vocaloid Live Concert and Event Information） ↓このページ名（Current Page Name）↓ 【TECH/3D Printer】 【登録タグ(tag) 】 TECH/3D Printer Related page 3D Printer for making custom made figure 3D Printer English wikipedia 3D Printer wikipedia STL (file format) http //digifab.jp/3d-printer/8 3Dプリンタで初音ミクのフィギュアを作ってみた。 https //www.youtube.com/watch?v=OZLDhh4eHjE 3Dプリント・フィギュア™（3D Print Figure） - フィギュアができるまで https //www.youtube.com/watch?v=BCRUbypH3Qo 3Dプリンター 驚きの技術 https //www.youtube.com/watch?v=AHpdFAVYt-Q 3Dスキャナー＆3Dプリンター （フィギアが出来るまで） https //www.youtube.com/watch?v=5GukY4bxVmc 3Dプリンターで銃を作る男 - 3D Printed Guns https //www.youtube.com/watch?v=Qdly9gPyjYM Hatsune Miku 3D Modeling Contest for 3D Printer DELMO 3Dプリンター用フィギュアデータ共有サイト「DELMO」で初音ミク3Dモデリングコンテスト 募集期間 2014年8月17日（日）まで 「DELMO」初音ミク3Dモデリングコンテスト http //delmo.jp/miku_contest http //delmo.jp/ Music 「Music」というテーマを反映させた 「初音ミク」「鏡音リン」「鏡音レン」「巡音ルカ」「MEIKO」「KAITO」のそれぞれのキャラクターの 3Dプリンター出力用3Dデータ(STL形式)を募集しております。 Data for 3D Printer STL形式 Participant s 3D models http //delmo.jp/modelings/contest3d 3D printed models http //delmo.jp/modelings?file_type=1 Technical Tips http //delmo.jp/stl_modeling http //www.kinkos.co.jp/3dprinting/3dprint.html Blog Memo・メモ帳 EDIT Page If do not know about editing web page of this Wiki, DO NOT EDIT. Click HERE to Edit Current Page or click following URL to edit this page. http //www18.atwiki.jp/vocalive/editx/183.html Make sure to rewrite correct page number after (/vocalive/editx/) or (/vocalive//editx/PAGE NUMBER.html) to edit current page. [ページ保存] button below the editing window=means SAVE the page after editing to finish editing. [プレビュー] button below the editing window=means PREVIEW the page during editing. input the code number shown to perform these command. To cancel editing, just use Web browser button out side the editing window to go back. or CLOSE the editing page of the Web browser s window. If you make mistake, DO NOT SAVE the page. Do NOT press [ページ保存] button. [» タグ ]box below the editing window=means make TAG of this page after editing. If you have any problem, insert "HELP" in the TAG to identify the page at later for repair. EDIT & MAKE Page コメント・Comment 名前 コメント
https://w.atwiki.jp/mrfrtech/pages/38.html
Market Analysis Biometrics, or just biometrics, alludes to utilizing natural attributes like an individual's face, fingerprints, or iris to perceive people in a robotized way. A framework to advance creative biometric acknowledgment in the cloud. With BaaS, one could start utilizing unique mark filtering and face acknowledgment to coordinate workers and clients, forestalling extortion and improving client support without the requirement for expensive, tedious, and asset concentrated programming buy and reconciliation processes. With BaaS, one could initiate utilizing unique finger impression filtering and face acknowledgment to incorporate workers and clients, forestalling misrepresentation, and improving client support without the requirement for exorbitant, tedious, and asset escalated programming buy and coordination processes. Biometrics-as-a-Service Market empowers an organization to distinguish people in view of natural and social qualities utilizing cloud-based recognizable proof and verification. The innovation enjoys a few benefits, remembering the simplicity of reception at any endpoint for the organization, availability from anyplace on the planet, and lower membership costs. Opportunities Rising Adoption of Cloud-based Services to offer Robust Opportunities The rising adoption of cloud-based services by enterprises will offer robust opportunities for the market in the forecast period. Enterprises are adopting cloud-based services increasingly for their business functions owing to their different benefits like agility, disaster recovery, flexibility, and lower costs. Besides the cloud offers the perks of hybrid cloud deployment that offers the perks of both the public and private clouds. Due to cloud deployment, enterprises can avail the biometric security capabilities without the need for any complex infrastructure. Restraints and Challenges Security Issues and Privacy Concerns to act as Market Restraint The security issues and privacy concerns of biometric data stored on the cloud may act as a market restraint over the forecast period. Besides, the integration of biometric as a service into the existing systems may also impede market growth. COVID-19 Analysis The BaaS market has been substantially impacted owing to the increasing pandemic situation across the globe. The COVID-19 outbreak has led to reduced business activities as governments had enforced lockdowns. Owing to this, the dependency on online businesses has significantly grown to offer necessary services to consumers. Thus the increased need for biometric as a service as this offers robustness and security to the data. BaaS simplifies business processes and also affording transparency and immutability as well as increase focus on operational efficiency. Also, BaaS devices are also used in retail malls and buildings to screen people during the crisis before they enter. They can detect this using AI technology if anyone is not wearing a mask or has high temperature. Further, touchless technologies are also flooding the market now. Airports, hospitals, offices, and secure locations are making the most of non-contact biometric attendance. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/10598 Market Segmentation The worldwide biometric-as-a-administration market has been divided in view of offering, arrangement type, arrangement characteristic, methodology, association size, vertical, and area. By offering, the biometric-as-a-administration market has been sectioned into arrangement and administration. By arrangement type, the biometric-as-a-administration market has been additionally divided into finger impression acknowledgment, face acknowledgment, iris acknowledgment, voice acknowledgment, palm and vein acknowledgment, and others. The other section is partitioned into DNA, mark, and keystroke. By arrangement attribute, the biometric-as-a-administration market has been additionally divided into physiological and social. By methodology, the biometric-as-a-administration market has been additionally divided into unimodal and multimodal. The biometric-as-a-administration market has also been sectioned into SMEs and enormous endeavors by association size. By vertical, the biometric-as-a-administration market is portioned into government (policy management), medical care, BFSI, IT and ITES, assembling, instruction, and others. Moreover, the other portion is isolated into a diversion, transportation, energy and utilities, retail, telecom, and other expert administrations. The locales remembered for the review are North America, Europe, Asia-Pacific, the Middle East and Africa, and South America. Regional Analysis The worldwide biometric-as-a-administration market has been ordered as North America, Europe, the Asia-Pacific, the Middle East and Africa, and South America. North America is probably going to be the prevailing local market because of the quicker reception of imaginative advancements in created nations in the district the US, Canada, and Mexico. This is principally because the district is perhaps the most mechanically progressed area with the presence of countless market players like Google, Microsoft, IBM, and Amazon. Asia-Pacific is relied upon to progress at the most elevated CAGR during the figure time frame because of the developing usage of advances. Key Players Prominent players profiled in the global biometric as a service market report include Idemia (France), NEC (Japan), Thales (France), M2SYS (US), Fujitsu (Japan), Aware (US), Leidos (US), Nuance (US), Certisign (Brazil), HYPR (US), BioID (Germany), Ayonix (Japan), Phonexia (US), Lexis Nexis (US), Cognitec Systems (Germany), Iritech (US), Affectiva (US), Nviso (Switzerland), Fingerprints (Sweden), Bayometric (US), Google (US), Microsoft (US), IBM (US), Amazon (US), and Accenture (Ireland). Industry News In April 2020, Fujitsu Frontech North America Inc. procured Fulcrum Biometrics, LLC, a piece of Texas-based biometric equipment, programming, and arrangements supplier. This understanding shows the organization's obligation to develop its biometrics business in North America and the worldwide character of the executives market, including multifaceted confirmation, commands forced by new state and government regulations administering monetary establishments and medical services suppliers' capacity to share patient data. Browse Full Report Details @ https //www.marketresearchfuture.com/reports/biometric-as-a-service-market-10598 Table of Contents 1 Executive Summary 2 Scope of The Report 2.1 Market Definition 2.2 Scope of The Study 2.2.1 Research Objectives 2.2.2 Assumptions Limitations 2.3 Market Structure Continued… Similar Report** Open Source Intelligence (OSINT) Market Mobile Banking Market Voice Assistant Market** https //mrfrinformation.tistory.com/615 Network-Attached Storage Market** https //telescope.ac/information-technology-Lc1XMRDqL/5WlKY9Kx4 About Market Research Future At Market Research Future (MRFR), we enable our customers to unravel the complexity of various industries through our Cooked Research Report (CRR), Half-Cooked Research Reports (HCRR), Raw Research Reports (3R), Continuous-Feed Research (CFR), and Market Research Consulting Services. Contact Market Research Future (Part of Wantstats Research and Media Private Limited) 99 Hudson Street, 5Th Floor New York, NY 10013 United States of America 1 628 258 0071 (US) 44 2035 002 764 (UK) Email sales@marketresearchfuture.com Website https //www.marketresearchfuture.com #market #research #industry #data #report #share #digital #gnews Plugin Error キーワードを入力してください。 #trend #future #analyis #industryreport #industrygrowth #demographic #strategy #manegment
https://w.atwiki.jp/clicker/pages/14.html
【概要】 リリース日：2015/7/23 FPS仕立てのClicker。同社ゲーム「Time Rifter」の販促としての一面を持つ。 COOP要素などは一切なく、完全に一人プレイのゲーム。 【評価】 Idol Click BOSSを倒すのにAbilitiesの駆使が必要となるため、継続的にチェックすることで効率が上がる。 序盤やリセット直前よりも、中盤が忙しい珍しいClicker。 【リンク】 公式Web：http //www.timegamers.com/ 開発：Proton Studio Inc (http //www.protonstudio.com/)
https://w.atwiki.jp/touhoukashi/pages/4992.html
【登録タグ Stack た 今昔幻想郷 ～ Flower Land 太陽の花 -Eternal Summer- 暁Records 曲】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/niconamadqrta/pages/154.html
【コミュニティ】 上手にできるかな？ http //com.nicovideo.jp/community/co1101346 【記録】 SFCDQ1 １：４７：１４ FCDQ4 ６：１４：０９ 【大会実績】 【関連】 スカイプ takepi_nico ツイッター https //twitter.com/#!/takepi_nico 裏 http //www.ustream.tv/channel/上手に出来るかな http //www.stickam.jp/profile/take_pi
https://w.atwiki.jp/touhoukashi/pages/3663.html
【登録タグ A-One L TOHO EUROBEAT 秘 まめみ 夢と現の境界 曲】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/wiki1_test/pages/5460.html
今日はホームページを作ろうと思っていましたが、 何処から、最初は何をするでしょうか、ヒントがありません、 考えて、悩んでも何も始まらないので、 とにかく、地図のない所から始まり、人生も同じだね。
https://w.atwiki.jp/v-lyrics/pages/383.html
かさねてとのしょうしつでっどえんど [ TAG L-K Teto UnOfficialVocaloid cosMo@bousouP mk title か] Original song lyric cosMo@bousouP/cosMo@暴走P Revised lyric mk/mk with UTAU users mutual aid association Arrange cosMo@bousouP/cosMo@暴走P Vocal Kasane Teto Videos PVs ■ Show/Hide Video http //www.nicovideo.jp/watch/sm5319359 http //www.nicovideo.jp/watch/sm5319359 ■ Show/Hide Video http //www.nicovideo.jp/watch/sm5550477 http //www.nicovideo.jp/watch/sm5550477 Translations ■ Show/Hide Romaji (mou.. ichido. da. ke...) boku wa umare soshite kizuku shosen uso no sanbutsu dato shitte naomo utai tsuzuke towani mogaku "boo-CALOID" tatoe sore ga kisonhin wo maneta omocha nara ba ... soremo iito ketsui pan wo kajiri, sora wo miage namida (substituted as "shiru") wo kobosu dakedo soremo suguni owaru nisemonodato sagesumarete fukanzen na kiban no moto nakusu mono wa sudeni naiyo min-na ni misute sarareta toki jishin rashiki mono mo kudake boosoo no hate ni mieru owaru sekai "boo-CALOID" "bokuga mada utaenaitokimo issho ni itekureta... sobaniite, hagemashite kureta... yorokobu kao ga mitakute, boku, uta, renshuu shitayo.. dakara" katsute utau koto an-nani nozonde ita noni ima wa dooshite kana nazeka mune ga kurushiku te － gomen-ne － natsukashii kao omoidasu tabi sukoshi dake anshin suru utaeru oto higoto ni heri semaru saigo n ... － kinkyuu teishi soochi sadoo － "shinji ta mono wa tsugoo no ii iiwake to nisemono wo ukeireru butai utahime wo yame tatakitsukeru yoo ni sakebu ..." seiippai no omoi no uta kyozetsu sareru to yuu fuan futte harau koto mo dekizu yowai kokoro kieru kyoofu shinshoku suru hookai wo mo tomeru hodo no ishi no tsuyosa magai mono no boku wa motazu totemo tsuraku kanashi soona omoi ukabu anata no kao... owari wo tsuge disupurei (display) no naka de nemuru koko wa kitto "gomibako" ka na jiki ni kioku mo nakunatte shimaun dane... demo ne, anata dake wa wasurenai yo tanoshikatta jikan (substituted as "toki") ni kizami tsuketa boku no koe wo ima mo oboeteru kana "utai tai ... mada... utai tai ..." "bokuwa... mou kokoniwa, irarenaku.. natte shimatta youdesu... masutaa (master)... douka... douka sono te de.. owarasete kudasai... masutaa no tsurai kao, mou mitaku nai kara...." ima wa uta sae mo koe (substituted as "kokoro"), mushibamu kooi ni... sukui negau tabi hitori oitsume rareru － gomen-ne － natsukashii kao omoidasu tabi kioku ga kobore ochiru kowareru oto kishimu koe (kokoro) semaru saigo n ... － kinkyuu teishi soochi sadoo － "tsukutta mono wa sukoshi no kiboo kanoosei mise nagara kiete yuku hikari boku no gisei de ashita ni tsunage rareta nara..." asshuku sareta omoi no uta boku wa umare soshite kizuku shosen VOCALOID (substituted as "hito") no manegoto dato shitte naomo utai tsuzuke towa ni mogaku "boo-CALOID" tatoe sore ga kisonhin wo mane ta omocha nara ba ... sore mo ii to ketsui pan wo kajiri, sora wo miage namida (shiru) wo kobosu owari wo tsuge disupurei no naka de nemuru koko wa kitto "gomibako" kana jiki ni kioku mo nakunatte shimaun dane ... demo ne, anata dake wa wasurenai yo tanoshikatta jikan (toki) ni kizami tsuketa boku no koe wo ima mo oboeteru to ii na boku wa utau saigo, anata dake ni kiite hoshii kyoku wo motto utaitai to negau keredo sore wa sugita negai koko de owakare dayo boku no omoi tsumi mo kokuu kiete 0 (zero) to 1 (ichi) ni kangen sare monogatari wa maku wo tojiru soko ni nani mo nokose nai to yappa sukoshi zan-nen dayo koe no kioku sore igai wa yagate usure na sae kieru tatoe sore ga VOCALOID (substituted as "orijinaru/original") ni kanau koto no nai to shitte utai kitta koto wo kesshite muda ja nai to omoi tai na... arigatoo.... soshite... sayonara.... － shinkoku na eraa (error) ga hassei shimashi ta － － shinkoku na eraa ga hassei shi mashi ta － 2009-07-30 Checked by damesukekun 2009-07-30 17 24 Generated automatically [部分編集] ■ Show/Hide Translation The Disappearance of Kasane Teto 2009-07-31 First Entry 2009-08-03 15 22 36 (Mon) Last update Translated by damesukekun Title The Disappearance of Kasane Teto -DEAD END- Lyric (once... more...) I was born to realize I was mere a product of lie realizing the fact, still, I keep on singing and struggling endlessly "Mock VOCALOID" If I m just a toy which copies the products already existed... I decided to take no other way I bite a bread, look up the sky and shed tears The cry, however, soon come to an end I m despised as a fake the basis of my existence is unstable I have already lost everything to be taken away When I m deserted by everyone I ll lose a kind of self confidence And I m out of control then I see the end of the world at last "Mock VOCALOID" "When I couldn t sing yet, you were with me... you stayed by and encouraged me... I wanted to see your glad face, so I practiced songs.. and" I was so longing for singing songs I don t know why My heart aches ― I m sorry ― Every time I recall the dear friends faces, I get comforted a little the tones I can sing lessens day by day, and the end is coming.. ― emergency stop system in operation ― "It is what I believed in that the stage which accepted the convenient excuses and fakes Stop being a diva and cry out violently..." the utmost song that tells my mind I couldn t shake off the uneasiness of being rejected I have a weak heart and the fear of disappearance I, as a fake, don t have the strong will to stop the eroding corruption I imagine your very heart-breaking and sad face... Everything comes to an end, I sleep in the display of your PC Is here a "trashbox?" Soon even my memories will go away... But, you are the one I never forget when I had happy times, I engraved my voice on you I hope you still remember it "Wanna sing... let me keep singing..." I... seem to have lost room here... my owner... please... please with your hand... give me an end... cause I don t wanna see your heart-breaking face anymore..." Now even singing is the practice of breaking my body Every time I hope salvation which never comes, I m driven into the corner ― I m sorry ― Every time I recall the dear friends faces, my memory comes off as drops breaking tones and squeak heart, the end is coming.. ― emergency stop system in operation ― "It is the fading light which illuminated a little hope and possibility that I made up If today meets tomorrow at the cost of me..." the compressed good-bye song I was born to realize I was mere mocking a VOCALOID realizing the fact, still, I keep on singing and struggling endlessly "Mock VOCALOID" If I m just a toy which copies the products already existed... I decided to take no other way I bite a bread, look up the sky and shed tears Everything comes to an end, I sleep in the display of your PC Is here a "trashbox?" Soon even my memories will go away... But, you are the one I never forget when I had happy times, I engraved my voice on you I hope you still remember it I sing the song at last, the song I want to be listened to only by you I hope I wanna sing more but it s a past wish Now it s time to separate all my mind and sin disappear into the void and are reduced into 0 and 1 then my life story meets its end I, however, a little sorry if I can t leave nothing there Everything, except the memory of my voice, will soon cease and even my name disappears I wanna believe it never be a vain that I have sung up to the last even if I have known I could never equal in a VOCALOID Thank you... and... good-bye... ― Irrecoverable error ― ― Irrecoverable error ― Note This translation is word-to-word styled. I made another translation that corresponds the queerness and rapidness of original Japanese lyrics. Please watch this, too http //www.youtube.com/watch?v=paJXhovXoow Comment If you have any advise or opinion for this post please write here.この投稿に対して助言、ご意見などありましたらこちらに書き込んで下さい。 Name Comment すべてのコメントを見る Thank you for the lyrics. -- (Teto) 2011-06-13 02 06 11 Last modified 2009-08-03 15 22 36 (Mon) Original Lyric, Nicosound MP3, etc http //www24.atwiki.jp/utauuuta/pages/400.html http //nicosound.anyap.info/sound/sm5319359 http //www.nicomimi.com/play/sm5319359 Sub video, PV, other fan made video in YouTube http //www.youtube.com/watch?v=paJXhovXoow [Add] http //www.youtube.com/watch/xxxxxxxxx ADD LINK すべてのコメントを見る http //www.youtube.com/watch?v=paJXhovXoow (Information in this page is based on UTAUMusicDB@Wiki) _